Posted on: July 1, 2020 by Stephanie Drawdy
The full story of the billion-dollar art collection gathered by Nazi art dealer Hildebrand Gurlitt during World War II may never be told. After years spent trying to determine the collection’s history, the prior owners of a large majority of those works remain unknown. This is a story we have followed with interest throughout its […]
Posted on: June 10, 2020 by Charlotte Dunn
A UNESCO-backed research project into the illicit trade in cultural property in Germany has recently released its final report. The ‘ILLICID Project’, launched by the German Federal Ministry of Education and Research, aimed to increase understanding of illicit trafficking networks and financial flows linked to organised crime and terrorism. However, the findings of the final […]
Posted on: January 16, 2020 by Julia Rodrigues Casella Hommes
As we leave behind the festive season, the latest issue of Art Antiquity & Law has just been released in time for you to start the new year with the latest in-depth analyses from the world of art and cultural heritage law. Adam Jomeen writes about street photography and compares the legal treatments afforded to […]
Posted on: October 8, 2019 by Alexander Herman
The recent case before the German Advisory Commission involving the painting Uhlans on the March by Hans von Marées was a first of its kind on a number of counts. The Commission is the body that hears claims for the restitution of Nazi-looted artworks. The claim had been brought in 2017 by the beneficiaries of […]
Posted on: May 10, 2019 by Julia Rodrigues Casella Hommes
A lot of commotion was caused recently by a German right-wing party’s choice of political propaganda: the use of a 19thcentury painting with a very controversial slogan splashed across it. We are talking, of course, of Alternative fur Deutschland (AfD) and Jean-Léon Gérôme’s Slave Market, a painting from 1866 currently on loan to the Clark […]
Posted on: December 5, 2018 by Emily Gould
The adoption of the Washington Conference Principles on Nazi-Confiscated Art by 44 nations in 1998 marked a deeply significant moment in the development of cultural policy in the 20th and 21st centuries. Whilst the extent of looting perpetrated by the Nazis during the 1933-45 period was fairly well understood at that stage, few would have […]
Posted on: April 7, 2016 by Emily Gould
Significant developments on three of the stories we’ve been watching closely of late appeared in the news this week: Firstly, that the deferral on an export licence for the Sekhemka Statue has now been lifted, so it will almost certainly be leaving these shores before too long. Secondly, that pieces from the Gurlitt art hoard […]
Posted on: December 4, 2015 by Alexander Herman
On Wednesday, the Center for Art Law hosted an event at the Ongpin Fine Art Gallery in London to celebrate the launch of Evelien Campfens’s new book on the subject of Holocaust-era art restitution committees entitled Fair and Just Solutions? Alternatives to litigation in Nazi-looted art disputes: status quo and new developments. Campfens, who is the […]
Posted on: October 2, 2015 by Alexander Herman
An art exhibition in Norway is built around a work by Henri Matisse, Blue Dress in a Yellow Armchair, and yet the work isn’t even there. The Henie Onstad Museum returned the work in March 2014 to the heirs of Paul Rosenberg, the famous Parisian art dealer whose collection of masterpieces had been looted by the Nazis […]
Posted on: September 24, 2015 by Alexander Herman
The Spoliation Advisory Panel, the UK body that hears disputes relating to Nazi-looted art held in national collections, has delivered two important reports this month. The first is a follow-up on an earlier 2014 recommendation that the Tate return a Constable painting, ‘Beaching a Boat, Brighton’, to the descendants of the painting’s original owner, Baron Hatvany of Hungary. The Baron had […]