Tag Archives: Stephanie Drawdy

Multi-million Dollar Award Under Appeal In Divisive 5Pointz Case

Posted on: November 28, 2019 by Stephanie Drawdy

Ninety days versus $6.75 million. That’s what the 5Pointz case currently on appeal in the US before the Second Circuit Court of Appeals boils down to. Twenty-one artists should have been given a ninety-day notice to remove their art from the façade of a real estate developer’s property before he whitewashed the works, according to the […]

New issue of IAL’s Art Antiquity and Law journal just released

Posted on: October 24, 2019 by Julia Rodrigues Casella Hommes

Marking the beginning of a new academic year, the latest issue of Art Antiquity & Law, IAL’s quarterly journal, is hot off the press and brings a number of articles ranging from topics such as musical instruments and their legal framework to arbitration, art theft, export of cultural goods and the repatriation claims for the […]

New York Appellate Court Upholds Purpose of HEAR Act: Austrian Performer’s Heirs Found to Have Superior Right to Looted Schiele Works

Posted on: August 23, 2019 by Stephanie Drawdy

Fritz Grünbaum was a clear target for the Nazis. He was a Jewish law school graduate and decorated World War I veteran turned pacifist and an outspoken man of the arts with a platform as a Viennese cabaret performer. On the day Hitler invaded Vienna, he entertained nightclub guests as he groped onto a darkened […]

Posthumous Claims Over American Pop Artist Robert Indiana: Everything You Need To Know So Far

Posted on: July 31, 2019 by Stephanie Drawdy

In 1961, when he was in his thirties, American Pop Artist Robert Indiana stencilled a call for peace from Longfellow’s The Song of Hiawatha into his painting, The Calumet.  Regrettably, as Indiana was passing away last year at his home in Maine, his world was anything but peaceful. Indiana’s legacy and art had become entangled in […]

Ownership of Nazi-Plundered Pissarro Goes to Spanish Foundation

Posted on: May 14, 2019 by Stephanie Drawdy

It’s a rainy winter day in Paris, 1897. A distinguished gentleman is standing at his easel with the curtains drawn, his eyes surveying the street below. As a painter myself, I like to imagine the excitement the Impressionist Master Camille Pissarro felt as he envisioned the composition of the scene that would become Rue Saint-Honoré, Après-midi, […]