Tag Archives: Holocaust-looted Art

Latest issue of Art Antiquity & Law available now

Posted on: September 8, 2020 by Julia Rodrigues Casella Hommes

We are pleased to announce that the latest issue (Vol XXV, 2) of our journal Art Antiquity & Law is available now, please see below for details on subscriptions and access.  Paul Kearns provides the readers with a comprehensive panorama of the international legal regulations on freedom of artistic expression, a fundamental but much overlooked and […]

Guelph Treasure Appeal Pending in U.S. Supreme Court

Posted on: August 21, 2020 by Stephanie Drawdy

A collection of ecclesiastical art known as the Guelph Treasure (Welfenschatz) is at the center of a U.S. restitution claim brought by heirs of Holocaust victims who sold it during the Nazi reign, previously discussed here. Having held the highly valued collection for approximately six decades, Germany is unwilling to part with what it considers […]

Appeal for Restitution of Nazi-Plundered Pissarro Centers on Application of Spanish versus U.S. Law

Posted on: December 24, 2019 by Stephanie Drawdy

A buyer who purchases stolen property does not receive good title – depending on the jurisdiction. The Cassirer family has learned this lesson all too well after nearly two decades attempting to reclaim a Nazi-looted painting by Impressionist Master Camille Pissarro. Earlier this year, a U.S. federal court in California awarded the Pissarro to a […]

US Restitution Suit Allowed to Proceed Against the Netherlands and Dutch Museums

Posted on: December 12, 2019 by Stephanie Drawdy

Towards the end of Second World War, Adolph Hitler received a birthday gift that likely made his heart swell with pride – a famous Rembrandt. The impact this gift had on a certain elderly woman interned in one of Hitler’s Dutch concentration camps is far more difficult to describe; the Old Master painting was her […]

New issue of IAL’s Art Antiquity and Law journal just released

Posted on: October 24, 2019 by Julia Rodrigues Casella Hommes

Marking the beginning of a new academic year, the latest issue of Art Antiquity & Law, IAL’s quarterly journal, is hot off the press and brings a number of articles ranging from topics such as musical instruments and their legal framework to arbitration, art theft, export of cultural goods and the repatriation claims for the […]

A report from two major Holocaust-Looted Art Events in London

Posted on: September 17, 2019 by Emily Gould and Julia Rodrigues Casella Hommes

London played host earlier this month to two fascinating events relating to Holocaust-looted art and restitution. Both events were packed, truly marking the beginning of a new academic year and the return from summer holidays. IAL attended both events and here is our account of the enlightening discussions which took place. At the V&A, on […]

New York Appellate Court Upholds Purpose of HEAR Act: Austrian Performer’s Heirs Found to Have Superior Right to Looted Schiele Works

Posted on: August 23, 2019 by Stephanie Drawdy

Fritz Grünbaum was a clear target for the Nazis. He was a Jewish law school graduate and decorated World War I veteran turned pacifist and an outspoken man of the arts with a platform as a Viennese cabaret performer. On the day Hitler invaded Vienna, he entertained nightclub guests as he groped onto a darkened […]

U.S. Court of Appeals Finds The Met is Rightful Owner of Picasso’s The Actor

Posted on: July 12, 2019 by Stephanie Drawdy

The great-grand niece of a Jewish couple from Cologne, the Leffmanns, has again received an adverse ruling in a New York federal case in which she seeks possession of a painting sold by the Leffmanns after Nazi-rule necessitated their departure from Germany. In its June 26, 2019 decision, the Second Circuit Court of Appeals upheld […]

Ownership of Nazi-Plundered Pissarro Goes to Spanish Foundation

Posted on: May 14, 2019 by Stephanie Drawdy

It’s a rainy winter day in Paris, 1897. A distinguished gentleman is standing at his easel with the curtains drawn, his eyes surveying the street below. As a painter myself, I like to imagine the excitement the Impressionist Master Camille Pissarro felt as he envisioned the composition of the scene that would become Rue Saint-Honoré, Après-midi, […]

Progress on the Washington Principles: a glass half full after 20 years?

Posted on: December 5, 2018 by Emily Gould

The adoption of the Washington Conference Principles on Nazi-Confiscated Art by 44 nations in 1998 marked a deeply significant moment in the development of cultural policy in the 20th and 21st centuries. Whilst the extent of looting perpetrated by the Nazis during the 1933-45 period was fairly well understood at that stage, few would have […]