The Institute of Art & Law offers knowledge and training in all aspects of the law relating to art and cultural heritage. We publish a range of books and a quarterly law journal Art Antiquity and Law, offer numerous art law courses and events, deliver in-house training and have an extensive membership body of professionals around the world. Become a member today!

Upcoming Events

  • Diploma in IP and Collections – July 2024

    We will be running one of our popular courses, the Diploma course in Intellectual Property and Collections in July, from the 10th to the 12th. The course will cover all aspects of copyright, moral rights, copyright exceptions, IP management for museums, orphan works, artist resale rights, NFTS and more. It will be run online, via Zoom, […]

  • Diploma course for museum professionals – October 2024

    We are happy to announce that the next instalment of our popular Diploma in Law and Collections Management (DipLCM) course will run in London from 14th to 18th October 2024, kindly hosted at Boodle Hatfield LLP. The course is open to all those who work in collections management (or related fields) at museums, galleries, libraries […]

Art Business & Law LLM

  • Art, Business and Law LLM

    This unique Masters in Law Programme (LLM) is offered in partnership between the Institute of Art and Law and the Centre for Commercial Law Studies (CCLS) at Queen Mary University of London. The programme covers every major legal area affecting the art market and arts management and is ideal for practitioners in this field. The […]

Latest News

  • The ‘Getty Bronze’ at the European Court of Human Rights

    The ‘Getty Bronze’ is in the news again. As though cursed, the ancient sculpture of the victorious youth has been contentious for years now, beginning not long after it was discovered by Italian fishermen in 1964. The statue was purchased by the Getty Trust in 1977 and put on display in Malibu the following year, […]

    Published: May 21, 2024
  • Disputed Rubens Paintings to Stay at Courtauld

    In March, the Spoliation Advisory Panel published its latest Report, concerning three claims made in regards to three paintings attributed to Flemish artist Peter Paul Rubens. The paintings, owned by the Samuel Courtauld Trust and in the possession of the Courtauld Institute of Art, are: St Gregory the Great with Ss Maurus and Papianus and […]

    Published: May 8, 2024
  • Exhibitions Exploring Overshadowed Histories: Protecting and Correcting Collective Memory through Commemorative Art

    This article contains descriptions of violence which some readers may find upsetting. In March of this year, the infamous statue of transatlantic slave trader Edward Colston went on permanent display in an exhibition about the history of protest in the Bristol People gallery at M Shed.  The display follows a decision by the Bristol City […]

    Published: April 22, 2024

Latest Publications

  • Art Antiquity and Law: 2024 Annual Subscription (hard copy)

    We also offer both digital-only and digital + hardcopy subscription options in partnership with Hein. Art Antiquity and Law is a Quarterly designed for all who value the cultural and historical environment. The principal aim of the Quarterly is to inform. It exists to tell those who work in the art and antiquity world about the law governing their […]

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  • The Parthenon Marbles Dispute by Alexander Herman (Art Law Library)

    In this new book, Institute of Art and Law Director Alexander Herman provides a balanced, thorough and critical account of the history of the Parthenon Marbles, those famous pieces of ancient sculpture removed from the Acropolis in Athens by Lord Elgin’s men in the early 19th century. He also addresses the legalities of their removal and the ethics of their retention by the British Museum.

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  • Art Antiquity and Law: 2023 Annual Subscription (hard copy)

    We also offer both digital-only and digital + hardcopy subscription options in partnership with Hein. Art Antiquity and Law is a Quarterly designed for all who value the cultural and historical environment. The principal aim of the Quarterly is to inform. It exists to tell those who work in the art and antiquity world about the law governing their […]

    Select options