Posted on: December 2, 2022 by Chiara Gallo
In recent weeks, Botticelli’s Birth of Venus appeared on the headlines of some of the most important news outlets, due to the allegedly ‘unauthorised’ commercial use of the famous masterpiece. The fashion house Jean Paul Gaultier is facing a suit for damages that could exceed £88,000 (€100,000) brought by the Uffizi, the oldest Florentine museum, […]
Posted on: October 28, 2022 by Gina McKIveen
For nearly two decades, Rick Allen, an experienced underwater videographer and professional photographer, documented the retrieval and recovery process of an 18th century pirate shipwreck off the coast of North Carolina. A dispute over the copyright in the works produced between Allen and the State of North Carolina (the “State”) is now approaching its tenth […]
Posted on: August 4, 2022 by Ruth Redmond-Cooper
The second issue of 2022 from Art Antiquity and Law has now gone to press and hard copy will be sent out to subscribers next week. This issue covers a range of topics: Emily Gould, Assistant Director of the Institute of Art and Law, provides a detailed examination of the law relating to NFTs. These […]
Posted on: July 1, 2022 by Emily Gould
Perhaps it’s my imagination, but the recent delivery of the IAL’s Diploma in Intellectual Property and Collections seems to have coincided with the emergence of a series of fascinating copyright cases. Each time I’ve planned to put pen to paper (or fingers to keyboard) to offer a few thoughts on one intriguing matter, another seems […]
Posted on: August 4, 2021 by Stephanie Drawdy
On 10 April 2021, the New York City Police Department launched a city-wide graffiti clean-up campaign. One of its first orders of business: the documented destruction of a mural titled Death From Above that allegedly had been in place on a Brooklyn wall with permission for over a decade. The New York City Police Department’s […]
Posted on: July 15, 2021 by Elena Cooper
This month sees the opening of a major new exhibition of the work of the artist James McNeill Whistler (1834-1903) at the Hunterian Art Gallery, Glasgow, which holds one of the largest Whistler collections in the world: Whistler: Art and Legacy (9 July-31 October 2021). In this blog, I reflect on how one painting by […]
Posted on: July 3, 2021 by Alyssa Weitkamp
On Thursday, 1st July we hosted a seminar entitled ‘Law and Photography’ where various aspects of photography and its relationship with the law were discussed. During this seminar, our speakers focused on copyright, licensing, moral rights and privacy rights. The seminar was chaired and moderated by Simon Stokes of Blake Morgan and Alexander Herman of […]
Posted on: June 2, 2021 by Emily Gould
In our post last week, we explored some of the copyright issues raised by recent stories from the world of NFTs. Today, we turn our focus to matters of contract law. How can we address the challenges posed by contractual mechanisms unfamiliar to many in the art world? And where we might look for answers […]
Posted on: May 28, 2021 by Emily Gould
It hardly seems possible that the now world-famous sale of Beeple’s ‘Everydays’ NFT at the eyewatering price of $69 million happened less than three months ago. The sale was still underway when we first offered a few thoughts on the explosion of NFTs onto the mainstream art market. Bidding was at what now feels like […]
Posted on: April 20, 2021 by Alexander Herman
Every so often, we take a peek at the copyright situation in the USA. There are many reasons for this. Stateside, art and copyright cases are more plentiful than in the UK (and much of the world), perhaps because there is more at stake financially or simply because the culture is more litigious. Additionally, the […]