Category Archives: Nazi Loot

New issue of IAL’s Art Antiquity and Law journal just released

Posted on: October 24, 2019 by Julia Rodrigues Casella Hommes

Marking the beginning of a new academic year, the latest issue of Art Antiquity & Law, IAL’s quarterly journal, is hot off the press and brings a number of articles ranging from topics such as musical instruments and their legal framework to arbitration, art theft, export of cultural goods and the repatriation claims for the […]

Unprecedented decision of German Nazi-looted art panel

Posted on: October 8, 2019 by Alexander Herman

The recent case before the German Advisory Commission involving the painting Uhlans on the March by Hans von Marées was a first of its kind on a number of counts. The Commission is the body that hears claims for the restitution of Nazi-looted artworks. The claim had been brought in 2017 by the beneficiaries of […]

A report from two major Holocaust-Looted Art Events in London

Posted on: September 17, 2019 by Emily Gould and Julia Rodrigues Casella Hommes

London played host earlier this month to two fascinating events relating to Holocaust-looted art and restitution. Both events were packed, truly marking the beginning of a new academic year and the return from summer holidays. IAL attended both events and here is our account of the enlightening discussions which took place. At the V&A, on […]

New York Appellate Court Upholds Purpose of HEAR Act: Austrian Performer’s Heirs Found to Have Superior Right to Looted Schiele Works

Posted on: August 23, 2019 by Stephanie Drawdy

Fritz Grünbaum was a clear target for the Nazis. He was a Jewish law school graduate and decorated World War I veteran turned pacifist and an outspoken man of the arts with a platform as a Viennese cabaret performer. On the day Hitler invaded Vienna, he entertained nightclub guests as he groped onto a darkened […]

Just Released: Art Antiquity & Law July 2019 Issue

Posted on: July 23, 2019 by Julia Rodrigues Casella Hommes

Landing just in time to absorb you during the Summer holidays, the July 2019 issue of Art Antiquity & Law (Vol. XXIV, Issue 2) has been released in print and online. Subscriptions are available either as hardcopy only, digital only as well as digital + hardcopy packages and can be purchased directly through our website. […]

U.S. Court of Appeals Finds The Met is Rightful Owner of Picasso’s The Actor

Posted on: July 12, 2019 by Stephanie Drawdy

The great-grand niece of a Jewish couple from Cologne, the Leffmanns, has again received an adverse ruling in a New York federal case in which she seeks possession of a painting sold by the Leffmanns after Nazi-rule necessitated their departure from Germany. In its June 26, 2019 decision, the Second Circuit Court of Appeals upheld […]

Latest Art Antiquity & Law issue

Posted on: May 21, 2019 by Julia Rodrigues Casella Hommes

The brand new issue of IAL’s Art Antiquity & Law quarterly journal is hot off the press and is now available in print and online via the Hein portal. This year’s first issue brings an array of articles, conference reports and a book review. Maja Dehouck discusses the regulation of illicit trafficking of cultural property […]

Ownership of Nazi-Plundered Pissarro Goes to Spanish Foundation

Posted on: May 14, 2019 by Stephanie Drawdy

It’s a rainy winter day in Paris, 1897. A distinguished gentleman is standing at his easel with the curtains drawn, his eyes surveying the street below. As a painter myself, I like to imagine the excitement the Impressionist Master Camille Pissarro felt as he envisioned the composition of the scene that would become Rue Saint-Honoré, Après-midi, […]

Recent American Restitutions

Posted on: December 14, 2018 by Alexander Herman

American prosecutors have been busy of late. Not only has New York Assistant District Attorney Matthew Bogdanos been active over the past 18 months in seeking seizure and forfeiture orders for stolen or looted property, but the US Attorney’s office has been busy as well. Added to this is the favourable stance the US courts […]

Progress on the Washington Principles: a glass half full after 20 years?

Posted on: December 5, 2018 by Emily Gould

The adoption of the Washington Conference Principles on Nazi-Confiscated Art by 44 nations in 1998 marked a deeply significant moment in the development of cultural policy in the 20th and 21st centuries. Whilst the extent of looting perpetrated by the Nazis during the 1933-45 period was fairly well understood at that stage, few would have […]