Posted on: July 24, 2023 by Paul Stevenson
Media reports in recent weeks have reminded us of a fascinating case study on contested heritage rights, shipwrecks and salvage. Vaunting a proposal to smelt down a bronze eagle which formerly adorned a Nazi warship, the President of Uruguay has found himself in the middle of a cultural heritage storm, having opined that: “It occurred […]
Posted on: August 4, 2022 by Ruth Redmond-Cooper
The second issue of 2022 from Art Antiquity and Law has now gone to press and hard copy will be sent out to subscribers next week. This issue covers a range of topics: Emily Gould, Assistant Director of the Institute of Art and Law, provides a detailed examination of the law relating to NFTs. These […]
Posted on: July 5, 2022 by Alexander Herman
At the Federal Foreign Office in Berlin on Friday, a joint declaration on the return of the Benin Bronzes was signed by Germany’s Foreign Minister and Commissioner for Culture and Media, and by Nigeria’s Minister of Culture and Minister of State for Foreign Affairs. By all accounts, it was an emotional occasion. ‘Today we have […]
Posted on: August 21, 2020 by Stephanie Drawdy
A collection of ecclesiastical art known as the Guelph Treasure (Welfenschatz) is at the center of a U.S. restitution claim brought by heirs of Holocaust victims who sold it during the Nazi reign, previously discussed here. Having held the highly valued collection for approximately six decades, Germany is unwilling to part with what it considers […]
Posted on: July 1, 2020 by Stephanie Drawdy
The full story of the billion-dollar art collection gathered by Nazi art dealer Hildebrand Gurlitt during World War II may never be told. After years spent trying to determine the collection’s history, the prior owners of a large majority of those works remain unknown. This is a story we have followed with interest throughout its […]
Posted on: June 10, 2020 by Charlotte Dunn
A UNESCO-backed research project into the illicit trade in cultural property in Germany has recently released its final report. The ‘ILLICID Project’, launched by the German Federal Ministry of Education and Research, aimed to increase understanding of illicit trafficking networks and financial flows linked to organised crime and terrorism. However, the findings of the final […]
Posted on: January 16, 2020 by Julia Rodrigues Casella Hommes
As we leave behind the festive season, the latest issue of Art Antiquity & Law has just been released in time for you to start the new year with the latest in-depth analyses from the world of art and cultural heritage law. Adam Jomeen writes about street photography and compares the legal treatments afforded to […]
Posted on: October 8, 2019 by Alexander Herman
The recent case before the German Advisory Commission involving the painting Uhlans on the March by Hans von Marées was a first of its kind on a number of counts. The Commission is the body that hears claims for the restitution of Nazi-looted artworks. The claim had been brought in 2017 by the beneficiaries of […]
Posted on: May 10, 2019 by Julia Rodrigues Casella Hommes
A lot of commotion was caused recently by a German right-wing party’s choice of political propaganda: the use of a 19thcentury painting with a very controversial slogan splashed across it. We are talking, of course, of Alternative fur Deutschland (AfD) and Jean-Léon Gérôme’s Slave Market, a painting from 1866 currently on loan to the Clark […]
Posted on: December 5, 2018 by Emily Gould
The adoption of the Washington Conference Principles on Nazi-Confiscated Art by 44 nations in 1998 marked a deeply significant moment in the development of cultural policy in the 20th and 21st centuries. Whilst the extent of looting perpetrated by the Nazis during the 1933-45 period was fairly well understood at that stage, few would have […]