Latest IAL News

Copyright cases in the spotlight

Posted on: July 1, 2022 by Emily Gould

Perhaps it’s my imagination, but the recent delivery of the IAL’s Diploma in Intellectual Property and Collections seems to have coincided with the emergence of a series of fascinating copyright cases. Each time I’ve planned to put pen to paper (or fingers to keyboard) to offer a few thoughts on one intriguing matter, another seems […]

UK’s Ivory Act 2018 finally in force

Posted on: June 16, 2022 by Emily Gould

It’s probably fair to say that not all of our predictions for 2022 in our traditional inaugural blog post of the year have yet come to fruition – or indeed, will do so before the year is out. On one topic, however, we called it right: that this year would finally see the UK’s Ivory […]

Accessory charges brought against former Louvre Director

Posted on: June 10, 2022 by Alexander Herman

“I’m confident in saying there will be more seizures and more prosecutions arising out of this investigation…” Those were the words of Assistant District Attorney Matthew Bogdanos, speaking to Ben Lewis last year on the Art Bust podcast. He was referring to an antiquities trafficking ring he’d uncovered that had been dealing in artefacts smuggled […]

Philbrick sentenced to seven year jail term – a rogue bad apple or a pawn in an industry rotten to its core?

Posted on: June 1, 2022 by Emily Gould

Art dealer turned con-artist Inigo Philbrick was sentenced last week by a US District Court to seven years behind bars. Described as “a serial swindler who took advantage of the lack of transparency in the art market” Philbrick defrauded numerous art traders, lenders and investors out of a reported US $86 million in a series […]

Fabergé in London – Russia sanctions and immunity from seizure

Posted on: May 25, 2022 by Alexander Herman

On 8 May, the exhibition Fabergé in London: Romance to Revolution concluded at London’s Victoria & Albert Museum. Several of the pieces on display had been lent by collections in Russia, namely those of the Kremlin in Moscow and the Hermitage in St Petersburg. The exhibition, which opened on 20 November 2021, began in a […]

Whistler’s Woman in White through the lens of copyright history

Posted on: May 16, 2022 by Elena Cooper

In February a new exhibition opened at the Royal Academy of Arts in London about the painter and printmaker James Abbott McNeill Whistler (1834-1903): Whistler’s Woman in White: Joanna Hiffernan, which runs until 22 May 2022, before moving to the National Gallery of Art, Washington (3 July to 22 October 2022). The centre-piece of the […]

NFTs as property: courts start to rein in the NFT ‘Wild West’

Posted on: May 11, 2022 by Emily Gould

The NFT space is commonly characterised as a ‘Wild West’, where anything goes and legal controls are minimal. A recent decision of the UK High Court suggests that the law’s lasso of control is at least starting to bring some order to the purported chaos. In a case involving the alleged theft of two NFTs […]

Unanimous verdict from US Supreme Court in Nazi-looted art case: the long-running Cassirer case continues

Posted on: April 25, 2022 by Stephanie Drawdy

The seventeen-year title dispute over a Parisian winter streetscape by Camille Pissarro has now tilted in favor of the heirs whose German-Jewish ancestor was forced to part with the masterwork during the Holocaust. On 21 April 2022, the United States Supreme Court unanimously vacated a judgment by the Ninth Circuit Court of Appeals that had […]

US Treasury Study on Money Laundering Risks in Art Trade

Posted on: April 21, 2022 by Alyssa Weitkamp

On February 4, 2022, the United States Treasury Department released its Study on the Facilitation of Money Laundering and Terror Finance Through the Trade in Works of Art. In this Study, the Treasury Department goes through the basics of money laundering in the art world, the particular risks the art world presents for money laundering, […]

Belgian restitution: from Nazi-looted art to colonial-era takings

Posted on: April 14, 2022 by Hélène Deslauriers

Let us consider recent developments in Belgium, both in relation to Nazi-looted art and colonial-era collections. First, a recent return of Nazi-looted art. On February 10 the Royal Museums of Fine Arts in Brussels returned a 1913 painting by Lovis Corinth, Flowers (left), to members of the Mayer family.  The painting represents a bouquet of […]