Posted on: October 26, 2020 by Stephanie Drawdy
The Cassirer heirs recently received another negative ruling in their lawsuit to recover a Nazi-looted painting by French Impressionist Camille Pissarro, but this case has not yet ended. The heirs indicated their intent to request a rehearing of the Ninth Circuit’s holding that, under Spanish law, title to the Pissarro is rightly held by the […]
Posted on: August 21, 2020 by Stephanie Drawdy
A collection of ecclesiastical art known as the Guelph Treasure (Welfenschatz) is at the center of a U.S. restitution claim brought by heirs of Holocaust victims who sold it during the Nazi reign, previously discussed here. Having held the highly valued collection for approximately six decades, Germany is unwilling to part with what it considers […]
Posted on: May 15, 2020 by Charlotte Dunn
The most recent issue of Art Antiquity and Law is now available and, since we all have a little extra time on our hands lately, you can find articles, case notes and book reviews in our journal to help fill those spare hours with fascinating reading. Evelien Campfens gives a detailed exposition of the methods for […]
Posted on: December 24, 2019 by Stephanie Drawdy
A buyer who purchases stolen property does not receive good title – depending on the jurisdiction. The Cassirer family has learned this lesson all too well after nearly two decades attempting to reclaim a Nazi-looted painting by Impressionist Master Camille Pissarro. Earlier this year, a U.S. federal court in California awarded the Pissarro to a […]
Posted on: October 8, 2019 by Alexander Herman
The recent case before the German Advisory Commission involving the painting Uhlans on the March by Hans von Marées was a first of its kind on a number of counts. The Commission is the body that hears claims for the restitution of Nazi-looted artworks. The claim had been brought in 2017 by the beneficiaries of […]
Posted on: May 14, 2019 by Stephanie Drawdy
It’s a rainy winter day in Paris, 1897. A distinguished gentleman is standing at his easel with the curtains drawn, his eyes surveying the street below. As a painter myself, I like to imagine the excitement the Impressionist Master Camille Pissarro felt as he envisioned the composition of the scene that would become Rue Saint-Honoré, Après-midi, […]
Posted on: December 5, 2018 by Emily Gould
The adoption of the Washington Conference Principles on Nazi-Confiscated Art by 44 nations in 1998 marked a deeply significant moment in the development of cultural policy in the 20th and 21st centuries. Whilst the extent of looting perpetrated by the Nazis during the 1933-45 period was fairly well understood at that stage, few would have […]