Posted on: April 15, 2016 by Alexander Herman
Since we last reported on the matter, there have been some (potentially positive) developments on the issue of the Australian Aboriginal bark etchings in the collection of the British Museum being claimed by descendants of the Dja Dja Wurrung people who had initially made them in the mid 19th century. An article by Paul Daley in the Guardian from […]
Posted on: April 6, 2016 by Tony Baumgartner
In the course of 2015 a scandal of potential significance to dealers and their clients emerged. Allegations involving Yves Bouvier, the well-known art dealer and the largest private shareholder in the Geneva freeports (Ports Francs & Entreports de Geneve SA), came to light when Dmitry Rybolovlev, the Russian oligarch, brought civil and criminal proceedings against […]
Posted on: February 22, 2016 by Alexander Herman
Following the rejection of UNESCO’s mediation proposal by the UK government and the British Museum in March 2015, a Greek entity called the ‘Athenians’ Association’ has decided to bring an action seeking the return of the Parthenon Sculptures (or Elgin Marbles) before the European Court of Human Rights in Strasburg. According to last week’s press statement, the claim […]
Posted on: February 19, 2016 by Emily Gould
We tend to think of street art as highly contemporary – edgy, modern and up to the minute in its commentary on the social and political controversies of the day. But what about cave paintings, medieval etchings, scrawls on the walls of the ancient city of Pompeii? The once-widespread notion that graffiti and street art […]
Posted on: February 15, 2016 by Ruth Redmond-Cooper
The IAL’s Assistant Director, Alexander Herman, will be addressing the members of the Courtauld Institute Law Society in London this Wednesday, 17th February, at 6:00 pm. The title of the talk will be ‘Art, Resolution and the Courts: At the nexus of art and law‘ and the talk will provide an overview of the matrix of […]
Posted on: February 1, 2016 by Emily Gould
What do you do if you want to reproduce an artwork but have no idea who holds the rights in it? What options are available to the museum keen to create a new online resource of paintings, but with no record of who owns the copyright? Back in November 2014 we reported on two new […]
Posted on: January 27, 2016 by Judith Bouchardeau and Mathilde Roellinger
The discovery of the art forgery scandal perpetrated by Wolfang Beltracchi has given rise to a number of legal proceedings. The recent decision of the Court of Appeal of Versailles, involving art expert Werner Spies and a painting attributed to Max Ernst, is among them. The facts are as follows. At the 2004 Paris Biennale […]
Posted on: January 15, 2016 by Ruth Redmond-Cooper
The Institute of Art & Law’s Diploma in Art Profession Law and Ethics course (DipAPLE) is set to begin next month, comprising seven monthly sessions running from February to July 2016. DipAPLE, which has been running for ten years, is an intensive and interactive course open both to lawyers and professionals from the art market or museum […]
Posted on: November 6, 2015 by Richard Harwood QC
“Alas poor William… or whoever.” There is a local tradition that a skull in a vault in St Leonard’s Church, Beoley (which is now part of Redditch) is that of William Shakespeare. Two late Nineteenth Century articles said that Dr Frank Chambers, a local doctor, heard at a dinner at Ragley Hall in 1794 that […]
Posted on: October 29, 2015 by Ruth Redmond-Cooper
We are happy to announce an upcoming one-day conference to be held in London on 28th November 2015 entitled Recent Developments in Art and Cultural Property Law (pdf flyer here). The conference will cover a number of new and exciting legal trends in the area involving: the new sentencing guidelines for heritage crimes the new Museums Association Code of […]