Posted on: January 29, 2024 by agata.becker
Art transactions continue to be plagued by forgeries, and trust alone among the various players is not sufficient to prevent damage to the market. Art authentication has always been a critical aspect of the art world, but it can often be unclear and confusing, as determining provenance and legitimacy are constant concerns. Recently, we at […]
Posted on: January 23, 2024 by Emily Gould
A recent decision by the Court of Appeal in London, handed down in November 2023, has triggered a stream of comment and debate among scholars and art historians. The case of THJ v Sheridan does not, at first glance, appear to have much at all to do with the arts sector, involving, as it did, […]
Posted on: November 20, 2023 by Laura Villarraga Albino
Two weeks ago, the Institute of Art and Law and Wedlake Bell jointly hosted the seminar “Art Law Unveiled: Navigating Modern and Contemporary Art Transactions”. Legal issues surrounding this area were addressed, providing a high-level forum for discussing practical issues, such as art contracts, artists’ representation, the authentication of artworks and the role of collective […]
Posted on: July 3, 2023 by Lilian Palmer
On 2 May 2023, the government published the draft Terrorism (Protection of Premises) Bill, which outlines the requirements that venues and other organisations will need to meet in order to ensure public safety and preparedness in case of a terrorist attack. The Bill, also known as Martyn’s Law as a tribute to Martyn Hett, one […]
Posted on: July 20, 2022 by Joanna Owens
The Tate is to take the unusual step of deaccessioning from its collection and returning to the donor material from the studio of Francis Bacon, once described as the Tate Archive’s most important acquisition ever and suggested to be worth around £20m. The Tate is one of a number of UK National Museums governed by national legislation, whose […]
Posted on: March 25, 2016 by Emily Gould
Those in the museum sector may be interested in attending a forthcoming event at the Natural History Museum on the financial valuation of museum collections. The conference will take place on 22 April 2016 and is called For what it’s worth: Essentials of collections valuation. The wide-ranging programme looks both fascinating and highly practical, covering […]
Posted on: February 1, 2016 by Emily Gould
What do you do if you want to reproduce an artwork but have no idea who holds the rights in it? What options are available to the museum keen to create a new online resource of paintings, but with no record of who owns the copyright? Back in November 2014 we reported on two new […]