Tag Archives: institute of art and law

One-week IAL DipAPLE course to run at Courtauld Institute in September

Posted on: July 1, 2016 by Alexander Herman

The IAL will be bringing its popular DipAPLE course to the Courtauld Institute in London this September for an intensive weeklong version of the course. The Courtauld Institute’s Law Society has invited the IAL to offer the Diploma in Art Profession Law and Ethics course to its student members over five days from 26th to 30th September 2016. […]

Brexit and the changes to ‘art law’

Posted on: June 29, 2016 by Alexander Herman

Of course we need to mention the very real possibility of Britain’s withdrawal from the European Union following last Thursday’s referendum vote. We held a class on Saturday as part of our Diploma in Art Profession Law and Ethics (with some sad faces in the room, it should be said) and listed off a number of instruments and regulations in […]

Report on Art Crime Workshop at QMUL

Posted on: June 22, 2016 by Emily Gould

Yesterday’s workshop on art crime at Queen Mary, University of London, which we mentioned on the blog last week, was a fascinating event, providing much food for thought. The workshop (part of an AHRC-funded series) focussed mainly on art theft, seeking to answer key questions such as: what is the prevalence of art theft internationally? […]

Old Flo is staying put – what can we learn?

Posted on: June 7, 2016 by Emily Gould

It was interesting to see that the judgment in the important ‘Old Flo’ case on which we reported in July 2015 has now been upheld by the Court of Appeal. You might recall the story. Old Flo – or Draped Seated Woman, to give Henry Moore’s 1,500 kg bronze figure her proper title – was […]

Good news as UK to finally adopt Hague Convention

Posted on: May 19, 2016 by Alexander Herman

At long last… It was announced in the Queen’s speech yesterday that the UK Parliament would see the introduction of a bill to ratify the 1954 Hague Convention for the Protection of Cultural Property in the Event of Armed Conflict. This is a positive sign and one that had been hinted at (with little more) by […]

Artists and user-generated content

Posted on: May 16, 2016 by Alexander Herman

My aunt, Gabrielle de Montmollin, a photographer and artist in Canada, is currently exhibiting her work in Toronto. I thought the show would be a good opportunity to discuss some of the copyright issues raised by her artistic approach. In particular, it serves as a way to explore a relatively new exception existing under Canadian […]

Update on the Stik matter

Posted on: April 30, 2016 by Alexander Herman

Many of you will remember that street artist Stik, who spoke at our 28 November 2015 Study Forum, was engaged in a dispute with a notable West London gallery for the return of a mural he had helped create for a local community in Gdansk, Poland in 2011. Well, there is now some more news […]

Everyday Ethics for the Museum Sector

Posted on: April 25, 2016 by Emily Gould

The launch event for the new Museums Code of Ethics took place at the Wellcome Collection last Friday, 22nd April. You would be forgiven for thinking that a Friday afternoon event to explore an ethics code might not be the greatest crowd-puller; but on this occasion, you’d be much mistaken. Almost 150 delegates came to […]

New Sentencing Guidelines show their teeth

Posted on: April 20, 2016 by Emily Gould

It was heartening to read the report by Cahal Milmo in the i newspaper last week about the first application of the new Sentencing Guidelines for theft offences. The guidelines urge courts to take into account the special nature of heritage assets when sentencing offenders for theft crimes, giving official recognition to the devastating harm […]

Access to Art: the good news and the not so good…

Posted on: April 7, 2016 by Emily Gould

Significant developments on three of the stories we’ve been watching closely of late appeared in the news this week: Firstly, that the deferral on an export licence for the Sekhemka Statue has now been lifted, so it will almost certainly be leaving these shores before too long. Secondly, that pieces from the Gurlitt art hoard […]