Category Archives: Forgery

Art Authentication: Interview with Denis Moiseev of Hephaestus Analytical

Posted on: January 29, 2024 by agata.becker

Art transactions continue to be plagued by forgeries, and trust alone among the various players is not sufficient to prevent damage to the market. Art authentication has always been a critical aspect of the art world, but it can often be unclear and confusing, as determining provenance and legitimacy are constant concerns. Recently, we at […]

Lights out for Fairlight – Court of Appeal upholds High Court decision in dispute over alleged Frans Hals painting

Posted on: December 14, 2020 by Emily Gould

An intriguing and long-running saga involving an alleged Old Master painting, a London art dealer, a US investor and an international auction house appears to have reached its conclusion. For those following the case of Sotheby’s v Weiss Limited and Fairlight Art Ventures LLP, with all its twists and turns, the latest (and possibly the […]

Lessons in Collecting from the Museum of the Bible

Posted on: April 14, 2020 by Charlotte Dunn

The Museum of the Bible has been a site of continual controversy since its opening in November 2017. The issues it has faced range from alleged thefts and forgeries to the illicit trade in antiquities. More than anything else, the Museum’s difficulties have demonstrated the importance of careful provenance research before acquiring artefacts for a […]

By description? Canadian judgment complicates art contracts

Posted on: December 2, 2019 by Charlotte Dunn

Legal cases involving questions of authenticity, attribution and provenance are generally not easily determined. However, in a recent Canadian case, the Court of Appeal for Ontario applied contract law to tackle (or avoid) the issue. The case involved a painting, entitled Spirit Energy of Mother Earth, purportedly by the renowned First Nations artist, Norval Morrisseau. […]

Just Released: Art Antiquity & Law July 2019 Issue

Posted on: July 23, 2019 by Julia Rodrigues Casella Hommes

Landing just in time to absorb you during the Summer holidays, the July 2019 issue of Art Antiquity & Law (Vol. XXIV, Issue 2) has been released in print and online. Subscriptions are available either as hardcopy only, digital only as well as digital + hardcopy packages and can be purchased directly through our website. […]

Stranger than fiction…Authenticity and Intrigue

Posted on: September 4, 2016 by Emily Gould

Two fascinating stories from the art world have captured our imagination over the past couple of weeks. Whilst seemingly unrelated, both have the thorny issue of authorship and authenticity at their heart and, coincidentally, share a Scottish connection. The first is the news that Scottish artist, Peter Doig, has won his court battle against a […]

Handle with care…thoughts on science’s role in combating art crime

Posted on: March 4, 2016 by Emily Gould

Last week I was musing on the way in which the same themes seem to pervade many different areas of the shady world of art crime. Continuing along this track, I wanted to offer a few thoughts on the role technology is increasingly playing here, from revealing forgeries to assessing damage from looting. While scientific […]

Recent authenticity dispute in Australia

Posted on: January 9, 2015 by Alexander Herman

Judgment was rendered last month by the Supreme Court of New South Wales in the case of McBride v Christie’s Australia. The case involved the auction sale of a painting by Australian modernist artist Albert Tucker in May 2000 to a barrister named Louise McBride for AUD $75,000. Later, in 2010, when McBride made arrangements to sell the […]