Posted on: October 28, 2024 by Federica Monteleone
What happens when an artist incorporates third-party material into their work? What precautions should artists, dealers, galleries or museums take when creating, managing or selling such works? The seminar, Deal or No Dealing: Copyright and Fair Dealing/Fair Use in the Visual Arts, jointly hosted by the Institute of Art and Law and Howard Kennedy LLP […]
Posted on: March 25, 2024 by Charlotte Woodhead
The “legislative prison walls” of the British Museum Act In 2022, the then UK Prime Minister (the antepenultimate Prime Minister of recent times) responded to calls for the return of the Parthenon Marbles to Greece by saying that it is for the trustees to decide. However, even if the trustees considered it appropriate to return […]
Posted on: March 4, 2024 by Chen Zhu
The Cybernetic Milkmaid What would Vermeer (1632-1675) feel if he lived until today when he suddenly discovered that his artistic style could be reproduced by state-of-the-art generative artificial intelligence (GenAI) tools? How would Han van Meegeren (1889-1947), a skilful art forger who infamously fooled Nazis with his faked Old Masters’ paintings (including Vermeer’s), react to […]
Posted on: December 21, 2023 by Alexander Herman
What can be said about art law in 2023? Of course, developments in our sector are often linked to trends in the wider world. This year saw the sad continuation of the war in Ukraine and an unprecedented conflict between Israel and Hamas that erupted after the terrorist attacks of 7 October. Azerbaijan has fully […]
Posted on: September 27, 2023 by Hugh Johnson-Gilbert
Last week the V&A announced that it had reached an agreement with the Republic of Yemen (‘Yemen’) to research and temporarily care for four ancient carved funerary stelae that had been discovered by an archaeology enthusiast in an interior design shop in East London. The museum’s announcement explained that the objects, dated to the second […]
Posted on: May 5, 2023 by Lilian Palmer
The UK’s Spoliation Advisory Panel, which handles claims relating to lost possession of cultural property during the Nazi era, has not published a new report in seven years. As such, their most recent recommendation, published on 28 March 2023, is particularly worthy of note. The Panel has recommended that a landscape painting by leading French […]
Posted on: April 3, 2023 by Alexander Herman
An incredible piece of news dropped on the rather inauspicious time of Friday afternoon. This was the announcement of a plan by the National Portrait Gallery in London (NPG) and the Getty Museum in Los Angeles to jointly acquire the famous ‘Portrait of Omai’ by Joshua Reynolds (left), a work that has been export deferred […]
Posted on: August 5, 2022 by Alexander Herman and Emily Gould
Today, Arts Council England released its guidance on restitution and repatriation for English museums. Restitution and Repatriation: A Practical Guide for Museums in England offers guidelines, best practice and case studies for the museum sector, helping institutions act appropriately and considerately in the context of claims for the return of collection objects. It replaces previous […]
Posted on: July 20, 2022 by Joanna Owens
The Tate is to take the unusual step of deaccessioning from its collection and returning to the donor material from the studio of Francis Bacon, once described as the Tate Archive’s most important acquisition ever and suggested to be worth around £20m. The Tate is one of a number of UK National Museums governed by national legislation, whose […]
Posted on: May 25, 2022 by Alexander Herman
On 8 May, the exhibition Fabergé in London: Romance to Revolution concluded at London’s Victoria & Albert Museum. Several of the pieces on display had been lent by collections in Russia, namely those of the Kremlin in Moscow and the Hermitage in St Petersburg. The exhibition, which opened on 20 November 2021, began in a […]