Posted on: October 28, 2024 by Federica Monteleone
What happens when an artist incorporates third-party material into their work? What precautions should artists, dealers, galleries or museums take when creating, managing or selling such works? The seminar, Deal or No Dealing: Copyright and Fair Dealing/Fair Use in the Visual Arts, jointly hosted by the Institute of Art and Law and Howard Kennedy LLP […]
Posted on: July 8, 2024 by Lauren Gowler
Norval Morrisseau – also known by his Anishinaabe name “Copper Thunderbird” – left a lasting mark on contemporary Indigenous art in Canada with his vibrant and spiritually charged paintings. Active between the 1960s and 2000s, Norval Morrisseau achieved recognition through his distinctive Woodland-style art, exhibiting in galleries around the globe. However, amidst this remarkable legacy, […]
Posted on: March 4, 2024 by Chen Zhu
The Cybernetic Milkmaid What would Vermeer (1632-1675) feel if he lived until today when he suddenly discovered that his artistic style could be reproduced by state-of-the-art generative artificial intelligence (GenAI) tools? How would Han van Meegeren (1889-1947), a skilful art forger who infamously fooled Nazis with his faked Old Masters’ paintings (including Vermeer’s), react to […]
Posted on: February 19, 2024 by Molly Stech
On 25 January, 2024, the U.S. District Court for the Southern District of New York entered judgements against appropriation artist Richard Prince and his co‑defendants Laurence Gagosian, the Gagosian Gallery and Blum & Poe Gallery. The cases are Graham v. Prince et al (15 cv 10160) and McNatt v. Prince et al (16 cv 08896). […]
Posted on: November 27, 2023 by Laura Villarraga Albino
A few weeks ago, the UK’s cultural industry organisations presented evidence to Parliament regarding the challenges faced by creators and performers in receiving fair compensation and, most importantly, the relevance of the Smart Fund. The initiative seeks to ensure fair remuneration to creators for the access, distribution and storage of their work on digital devices. […]
Posted on: October 30, 2023 by Laura Villarraga Albino
The recent report from DACS reveals that since 2006, almost £120 million in Artist’s Resale Right (ARR) royalties have been distributed to over 6,023 artists and heirs in the UK. ARR plays a significant role in the UK’s art ecosystem, contributing directly to artists’ practice and their legacies with minimal impact on art market participants. […]
Posted on: May 19, 2023 by Elizabeth Pearson
Australia’s National Gallery and three governments have launched separate inquiries into allegations reported by a national newspaper that non-Indigenous studio staff painted on First Nations artists’ works, including art due to be exhibited in the country’s capital in June. The Australian published allegations on 7 April 2023 that non-Indigenous staff at Tjala Arts Centre, a […]
Posted on: January 31, 2022 by Ruth Redmond-Cooper
The slightly delayed December 2021 issue of Art Antiquity and Law has now gone to press and hard copies will be sent out to subscribers early next week. It contains articles on the far-reaching implications of Brexit for the cultural sector (Valentine Granet and Dr Sophie Vigneron); an examination of the changing nature of the […]
Posted on: November 13, 2020 by Stephanie Drawdy
The 5Pointz case has now been confirmed as viable authority in favor of artists’ rights in the United States. In early October, the U.S. Supreme Court declined to hear the petition for certiorari filed by developers Gerald Wolkoff and several of his real estate entities, thereby eliminating the last appellate hope the developers had to […]
Posted on: October 19, 2020 by Emily Gould
The opening of a ‘virtual’ Frieze week in London earlier this month was a reminder of both the significant challenges Covid-19 has posed to the art market, and the innovative and creative responses which have emerged. In contrast to the usual spectacle of bustling crowds cramming into marquees in London’s Regent’s Park, Frieze London 2020 […]