Posted on: October 23, 2024 by Alexander Herman
In What have we here? the artist Hew Locke has taken a flashlight to the British Museum’s collection; he has also taken a chisel to its somewhat staid reputation. The artist now occupies the central exhibition space at the museum, just behind the newly reopened library with its grand Victorian dome. Locke had been given […]
Posted on: December 11, 2023 by Emefa Cole
The Allure of Gold Gold is undoubtably the most seductive of the noble metals. It is revered, considered sacred and mystical in many cultures. It is associated with the supernatural, royalty, wealth and prestige – we hear of alchemists of yesteryear turning lead into gold and stories of mythical creatures who inhabit mines around the […]
Posted on: February 15, 2023 by Stephanie Drawdy
What connection exists between the Transatlantic Slave Trade and Benin Bronzes? This is the query that now entangles the seemingly straightforward return of Benin Bronzes to their original home of modern-day Edo State in southern Nigeria. The person raising this compelling point, Deadria Farmer-Paellmann, filed a class action suit and moved for emergency action in late […]
Posted on: April 14, 2022 by Hélène Deslauriers
Let us consider recent developments in Belgium, both in relation to Nazi-looted art and colonial-era collections. First, a recent return of Nazi-looted art. On February 10 the Royal Museums of Fine Arts in Brussels returned a 1913 painting by Lovis Corinth, Flowers (left), to members of the Mayer family. The painting represents a bouquet of […]
Posted on: May 7, 2021 by Emily Gould
In mid-March this year, the German government announced that it was close to finalising plans to return to Nigeria Benin Bronzes from around 25 of its museums. The statement was swiftly followed by news of proposed returns from corners of the globe as disparate as Aberdeen and California. Developments were also in evidence in the […]
Posted on: November 9, 2020 by Alexander Herman
Emery Mwazulu Diyabanza (left) is a man on a mission. A prolific protestor at museums in France and the Netherlands, he targets objects on display that originate from Africa, lifts them from their stands and parades them around the galleries while making pronouncements on the crimes of European colonialism. ‘Je part avec à la maison,’ he […]
Posted on: July 21, 2020 by Alexander Herman
Last week, the legal review of a bill under consideration by the French government was released. Following President Macron’s statement on the restitution of artefacts to African countries in November 2017 and the release of the controversial Sarr Savoy Report the following year, this is the first we’ve heard about specific legislation on the topic. […]
Posted on: January 23, 2020 by Charlotte Dunn
President Emmanuel Macron originally promised to return 26 artefacts, currently held in the Musée du Quai Branly–Jacques Chirac in Paris, to Benin in 2018. These objects were taken as spoils from the Kingdom of Dahomey in 1892, as part of French colonial military action. Macron’s promise was made in response to the publication of the […]
Posted on: November 22, 2019 by Alexander Herman
After my piece last week on restitution, there have been some interesting developments in the area. First of all, a major non-profit organisation, the Open Society Foundations, has pledged US$15 million to assist groups working to restitute African heritage. The money is pledged over a period of four years. As I said when commenting on […]
Posted on: November 15, 2019 by Alexander Herman
The following commentary first appeared in The Art Newspaper print edition (November 2019) and on The Art Newspaper website on 12 November 2019. A year ago this month, authors Felwine Sarr and Bénédicte Savoy submitted their controversial report to French President Emanuel Macron. The report recommended the return of a vast number of Sub-Saharan African artefacts currently in […]