Tag Archives: Nazi-looted Art

US Case Further Restricts Holocaust-related Art Claims

Posted on: November 11, 2024 by Livia Solaro

On 30 September, 2024, the US District Court for the District of Columbia issued the latest decision in the long running de Csepel restitution saga. After almost 15 years of litigation (or 25, if one considers the initial lawsuit filed in Hungary), the case has now been narrowed down to the recovery of one of […]

Disputed Rubens Paintings to Stay at Courtauld

Posted on: May 8, 2024 by Lilian Palmer

In March, the Spoliation Advisory Panel published its latest Report, concerning three claims made in regards to three paintings attributed to Flemish artist Peter Paul Rubens. The paintings, owned by the Samuel Courtauld Trust and in the possession of the Courtauld Institute of Art, are: St Gregory the Great with Ss Maurus and Papianus and […]

Art Antiquity and Law – April Issue

Posted on: April 15, 2024 by Ruth Redmond-Cooper

The April issue of 2024 Art Antiquity and Law has gone to press: hard copies will be posted out to subscribers next week, and for digital subscribers, the online version should be available via Hein very soon. This issue contains an article by Achilleas Iasonos  (Post-Doctoral Researcher at the Earth and Ocean Lab, Department of […]

Proposals to Reform the British Museum Act Continue to Fall Under the Shadow of the Marbles

Posted on: March 25, 2024 by Charlotte Woodhead

The “legislative prison walls” of the British Museum Act In 2022, the then UK Prime Minister (the antepenultimate Prime Minister of recent times) responded to calls for the return of the Parthenon Marbles to Greece by saying that it is for the trustees to decide. However, even if the trustees considered it appropriate to return […]

Pissarro Painting Sold Under Nazi Duress Awarded to Thyssen-Bornemisza Collection Foundation

Posted on: January 17, 2024 by Nicholas M. O'Donnell

The U.S. Court of Appeals for the 9th Circuit ruled on 9 January, 2024 that the Thyssen-Bornemisza Collection (TBC) Foundation in Madrid is the owner of Rue Saint–Honoré, après-midi, effet de pluie by Camille Pissarro, a painting sold by German Jew Lilly Cassirer under Nazi duress. After the Cassirer family prevailed in the Supreme Court in […]

Spoliation Advisory Panel Recommends Return of Courbet Painting to Original Owners

Posted on: May 5, 2023 by Lilian Palmer

The UK’s Spoliation Advisory Panel, which handles claims relating to lost possession of cultural property during the Nazi era, has not published a new report in seven years. As such, their most recent recommendation, published on 28 March 2023, is particularly worthy of note. The Panel has recommended that a landscape painting by leading French […]

Dismissal of Heirs’ Claims for Guelph Treasure

Posted on: September 12, 2022 by Stephanie Drawdy

Heirs of German Jewish dealers who seek restitution of a collection of Christian reliquaries known as the Welfenschatz (or Guelph Treasure) have received a stinging dismissal of their suit from a Washington D.C. district court. The case made headlines in 2021 after it was remanded by the U.S. Supreme Court to the D.C. Circuit for […]

NY Law Calls For Museum Transparency About Nazi-Loot

Posted on: August 22, 2022 by Stephanie Drawdy

From the Adirondacks to the Lower East Side, New York museums face a new legal requirement for their collections – a measure of candor about objects traded during Hitler’s terror reign. On 10 August 2022, New York Governor Kathy Hochul signed a multi-faceted package of legislation “aimed at honoring and supporting Holocaust survivors”. Effective immediately, […]

Unanimous verdict from US Supreme Court in Nazi-looted art case: the long-running Cassirer case continues

Posted on: April 25, 2022 by Stephanie Drawdy

The seventeen-year title dispute over a Parisian winter streetscape by Camille Pissarro has now tilted in favor of the heirs whose German-Jewish ancestor was forced to part with the masterwork during the Holocaust. On 21 April 2022, the United States Supreme Court unanimously vacated a judgment by the Ninth Circuit Court of Appeals that had […]

Restitution and the ‘return of beauty’ – afterthoughts

Posted on: February 4, 2022 by Alexander Herman

On Wednesday evening, I spoke on an online panel organised by the Universities of Bonn and Tel Aviv entitled The Return of Beauty: Restitution of Nazi-Looted Art in Comparative Perspectives. I was asked to introduce the topic of ‘post-colonial’ claims for the return of cultural objects as a point of comparison with claims for the […]