Posted on: July 15, 2021 by Elena Cooper
This month sees the opening of a major new exhibition of the work of the artist James McNeill Whistler (1834-1903) at the Hunterian Art Gallery, Glasgow, which holds one of the largest Whistler collections in the world: Whistler: Art and Legacy (9 July-31 October 2021). In this blog, I reflect on how one painting by […]
Posted on: July 3, 2021 by Alyssa Weitkamp
On Thursday, 1st July we hosted a seminar entitled ‘Law and Photography’ where various aspects of photography and its relationship with the law were discussed. During this seminar, our speakers focused on copyright, licensing, moral rights and privacy rights. The seminar was chaired and moderated by Simon Stokes of Blake Morgan and Alexander Herman of […]
Posted on: July 8, 2019 by Emily Gould
A fascinating day was enjoyed by all who braved London’s hottest day so far this year to attend IAL’s latest Study Forum held on 29th June. Topics ranged from the origins of modern copyright law to international laws on restitution to the treatment of human remains. Dr Elena Cooper (Leverhulme Early Career Fellow, CREATe) gave a […]
Posted on: June 10, 2019 by Emily Gould
Dr Elena Cooper is an IAL member and the author of Art and Modern Copyright: The Contested Image (CUP, 2018). She will be speaking at a forthcoming IAL Study Forum on 29th June 2019. In the meantime, she writes below on the intriguing topic of the development of copyright law, and how it reflects changes […]
Posted on: November 14, 2018 by Emily Gould
Readers of this blog will have seen the post last week about Portrait of Edmond de Belamy, a piece of computer generated art created by the Obvious Collective through Artificial Intelligence, which recently sold at auction for USD 432,500. Amongst the challenges posed by AI technology for copyright law, is the question of how […]
Posted on: October 29, 2018 by Emily Gould
Who does the modern law of copyright seek to protect? We are familiar today with the claim that artistic copyright protects artists and, perhaps, users of copyright works. Roll back 150 years, to the nineteenth century, and artistic copyright was also understood in a number of other ways, which are long forgotten today. For instance, […]