Posted on: May 5, 2023 by Lilian Palmer
The UK’s Spoliation Advisory Panel, which handles claims relating to lost possession of cultural property during the Nazi era, has not published a new report in seven years. As such, their most recent recommendation, published on 28 March 2023, is particularly worthy of note. The Panel has recommended that a landscape painting by leading French […]
Posted on: April 14, 2023 by Geoffrey Bennett
One might say that if the law of Treasure has slumbered throughout most of its long history it has now had a rude awakening. Its obscure origins in Anglo-Norman common law had nothing to do with preserving items of cultural interest and probably everything to do with a source of revenue for the Crown, albeit […]
Posted on: April 3, 2023 by Alexander Herman
An incredible piece of news dropped on the rather inauspicious time of Friday afternoon. This was the announcement of a plan by the National Portrait Gallery in London (NPG) and the Getty Museum in Los Angeles to jointly acquire the famous ‘Portrait of Omai’ by Joshua Reynolds (left), a work that has been export deferred […]
Posted on: March 19, 2023 by Elizabeth Pearson
The fate of four Aboriginal spears taken by the crew of the HM Bark Endeavour in 1770 now rests with the English Charity Commission, after Trinity College Cambridge decided to seek approval to permanently return the items from its Cook-Sandwich collection to Traditional Owners in Australia. The hunting spear and pronged fishing spears were amongst […]
Posted on: March 11, 2023 by Hugh Johnson-Gilbert
As the controversial Online Safety Bill (“OSB”) makes its way through the House of Lords, we consider what implications it might pose for the online art world. Introduced in March 2022, the stated purpose of the OSB is to ‘make the UK the safest place in the world to be online while defending free expression’. […]
Posted on: February 27, 2023 by Rebecca Hawkes-Reynolds
The Supreme Court stunned all those who have been following the plight of the residents of Neo Bankside. The long-winded legal dispute (Fearn and others (Appellants) v Board of Trustees of the Tate Gallery (Respondent) [2023] UKSC 4) started when the Tate Modern inaugurated its viewing platform on the Blavatnik Building in 2016 and it […]
Posted on: January 30, 2023 by Emily Gould
“A year of great change” was how IAL Director, Alexander Herman, described 2022 in the IAL blog’s customary review of the year. Change has certainly been no stranger to those invested in NFTs and other crypto markets over the past year or so, with prices fluctuating wildly and markets extremely volatile. The soaring prices of […]
Posted on: December 13, 2022 by Michael Bowmer
The High Court has dismissed a multi-million pound negligence claim [Feilding & Anor. v. Simon C. Dickinson Limited [2022] EWHC 3091 (Ch)] brought by the Countess of Wemyss and her co-trustee against an art dealer over the sale of the painting “Le Bénédicité” by Jean-Baptiste-Siméon Chardin. The painting had been acquired by the Countess’s ancestors in […]
Posted on: December 8, 2022 by Julia Rodrigues Casella Hommes
The latest guidance on the anti-money laundering (AML) regulations as they pertain to the UK art market has finally brought about some much-needed clarification on some aspects of the regulations that had remained up until now somewhat difficult to comprehend and, more importantly, apply to day to day business. There are many aspects of the […]
Posted on: November 26, 2022 by Ruth Redmond-Cooper
The latest issue of Art Antiquity and Law has now been published and hard copies are being sent to subscribers and members, with the digital version available online to subscribers who have chosen this option. This issue contains a thought-provoking piece by Alexander Herman in which he points out that the recent Charities Act 2022 […]