Art Antiquity and Law: 2021 Annual Subscription (hard copy)

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We also offer both digital-only and digital + hardcopy subscription options in partnership with Hein.

Art Antiquity and Law is a Quarterly designed for all who value the cultural and historical environment.

The principal aim of the Quarterly is to inform. It exists to tell those who work in the art and antiquity world about the law governing their activities and the policies behind the law. It is founded on the belief, never more confident than today, that cultural life cannot exist in a legal vacuum. In our conviction, all responsible members of the art and history community should be aware of the role which law plays in shaping cultural policy. To understand law, however demanding the task, is to meet its challenges more effectively.

In pursuit of these aims, we have created a periodical which, besides giving an account of new legislation, case-law, public documents and official initiatives, gives considered opinions on more general points of law and practice. We believe that it will enable readers to absorb legal change and to respond coherently to it. We hope that it will also encourage them to think critically about public policy in relation to art and the protection of the past.

Art Antiquity and Law is designed for people who work in areas other than law, as well as for legal practitioners. Many articles are written by non-lawyers who have particular experience of applying or reforming the law. The Quarterly is accessible to collectors, auction houses and market consultants, archaeologists, developers, investors, anthropologists, fund managers, insurers and loss adjusters, solicitors and barristers, university lawyers, local authorities, museum officers, art historians, tax advisers, owners of historic properties and cultural policy advisers.

 

Vol XXVI, Issue 1, 2021

Articles

Application of Competition Rules on Manipulations of the Art Market: Authentication
Oliver Lenaerts

Humanity, Law and Objects
Elsbeth Dekker

Misdescription and Misrepresentation Liability Arising out of Art Auctions in New Zealand
Rod Thomas

Covid 19 Pandemic and the Enjoyment of the Right to Cultural Life in Nigeria
Afolasade A. Adewumi

Stolen Chinese Buddha Head: First Returns from Japan
Hao Liu

Book Review

Art Law and the Business of Law by Martin Wilson
Noor Kadhim


Vol XXVI, Issue 2, 2021

Articles

The Swedish Royal Placat of 1666: “The First Antiquities Legislation in the World”?
Thomas Adlercreutz

Legal Issues Affecting Loans of Works of Art in Belgium
Bert Demarsin

On the Restitution of Chinese Cultural Heritage under German Law
Julia Weiler-Esser

Case Notes

A Reflection on The Warhol Foundation v. Lynn Goldsmith
Molly Torsen Stech

Guelph Treasure Case Remanded by US Supreme Court
Stephanie Drawdy

Book Review

Museums and the Holocaust
Adrienne Bauer

 


Vol XXVI, Issue 3, 2021

Articles

The Deaccession Debate in Uncertain Times
Emily Gould

Designating the US-Mexico Boundary Monuments as World Heritage Sites
Barbara Zaragoza

The Relationship between Street Art and Freedom of Panorama under UK Law
Francesca Barra

Case Notes

Stonehenge: Tunnelling Through a World Heritage Site
R ex p. Stonehenge World Heritage Site Ltd v. Secretary of State for Transport
Rebecca Hawkes-Reynolds

Court Decision on ‘Technicality’ Prevents Claim Over Allegedly Fake Antiquity
Qatar Investments and Projects Holding Company and Another v. Phoenix Ancient Art SA
Alexander Herman

Relevant Criteria for Granting Planning for Heritage Assets
City and Country Bramshill Ltd v. Secretary of State for Housing, Communities and Local Government and Others
Rebecca Hawkes-Reynolds

Book Review

Art and Copyright by Simon Stokes
Alexander Herman

 


Vol XXVI, Issue 4, 2021

Articles

The Impact of Brexit on Heritage: Impeding Workers’ Mobility and European Co-operation in the Fight against the Trafficking of Cultural Objects and Endangered Species
Valentine Granet and Sophie Vigneron

Artists and the Art Market – A Shifting Dynamic?
Amanda Gray, Simon Chadwick and Daniel Foley

Fighting Cultural Property Trafficking: The Italian Criminal Law Framework and its Forthcoming Reform
Arianna Visconti

Case Note

Fair Use in US Law: the Path to Marano v. Metropolitan Museum of Art
Leila Amineddoleh