Posted on: November 13, 2015 by Alexander Herman
A trial is set to commence in Amsterdam later this month pitting two great performance artists against one another. They are former collaborators (and one-time lovers) Marina Abramovic and “Ulay”, who after breaking up romantically and creatively in 1988, entered into an agreement regarding those works they had created together during their partnership. But Ulay isn’t […]
Posted on: October 28, 2015 by Alexander Herman
It has been reported by the BBC that the export application submitted by the new owner of a £35 million Rembrandt (covered here) has now been withdrawn. The work will therefore remain in the UK and will potentially be loaned by the owner to a museum or gallery in this country. One wonders if the next step […]
Posted on: October 27, 2015 by Alexander Herman
This is a short update on our piece from this summer about the export ban placed on the £15 million Sekhemka statue. While it may have seemed doubtful that a UK entity would be willing (or, more importantly, able) to buy the statue and keep it in the country, there does now appear to be interest in doing so. […]
Posted on: October 19, 2015 by Alexander Herman
Rembrandt’s late career Portrait of Catrina Hooghsaet is the subject of the UK Culture Minister’s latest export licence deferral. The painting, which had been in the collection of the Welsh aristocratic Douglas-Pennant family, was reported to have been sold earlier this year for £35 million. An export licence has been sought, but the Minister, based upon […]
Posted on: October 15, 2015 by Alexander Herman
As hinted at, there is another painting currently hanging at the Goya exhibition at the National Gallery with a story to tell. Unlike the Marquesa de Santa Cruz, this one relates to an episode involving theft, a botched ransom scheme and the adoption of new criminal legislation. It is a portrait painted by Francisco Goya over a two-year […]
Posted on: October 12, 2015 by Alexander Herman
Goya’s Marquesa de Santa Cruz is back in London. Those with long memories will know that this painting by Spanish artist Francisco Goya had been taken out of Spain in the mid 1980s and brought to auction at Christie’s in London, only to incur the ire of the Spanish government. The work had left Spain in 1983 accompanied by forged […]
Posted on: October 9, 2015 by Alexander Herman
Following on from my last post about two recent reports from the UK’s Spoliation Advisory Panel (SAP) regarding Nazi-looted art in British public collections, it was reported this summer that Glasgow City Council has followed an earlier SAP recommendation in relation to a 16th century tapestry fragment held at the city’s Burrell Collection. The November 2014 report recommended that an ex gratia payment (literally meaning […]
Posted on: October 5, 2015 by Alexander Herman
It was announced last week that two Belgian creators had reached a settlement in a copyright dispute highlighting the role (and limits) of copyright exceptions. One was a photographer, Katrijn Van Giel, who had taken a photograph of Belgian politician Jean-Marie Dedecker that appeared in De Standard newspaper in 2010. It was a fairly unique shot: creatively cropped […]
Posted on: October 2, 2015 by Alexander Herman
An art exhibition in Norway is built around a work by Henri Matisse, Blue Dress in a Yellow Armchair, and yet the work isn’t even there. The Henie Onstad Museum returned the work in March 2014 to the heirs of Paul Rosenberg, the famous Parisian art dealer whose collection of masterpieces had been looted by the Nazis […]
Posted on: September 24, 2015 by Alexander Herman
The Spoliation Advisory Panel, the UK body that hears disputes relating to Nazi-looted art held in national collections, has delivered two important reports this month. The first is a follow-up on an earlier 2014 recommendation that the Tate return a Constable painting, ‘Beaching a Boat, Brighton’, to the descendants of the painting’s original owner, Baron Hatvany of Hungary. The Baron had […]