The Institute of Art & Law

We will be running one of our popular courses, the Diploma course in Intellectual Property and Collections in July, from the 10th to the 12th. The course will cover all aspects of copyright, moral rights, copyright exceptions, IP management for museums, orphan works, artist resale rights, NFTS and more. It will be run online, via Zoom, […]

We are happy to announce that the next instalment of our popular Diploma in Law and Collections Management (DipLCM) course will run in London from 14th to 18th October 2024, kindly hosted at Boodle Hatfield LLP. The course is open to all those who work in collections management (or related fields) at museums, galleries, libraries […]

This unique Masters in Law Programme (LLM) is offered in partnership between the Institute of Art and Law and the Centre for Commercial Law Studies (CCLS) at Queen Mary University of London. The programme covers every major legal area affecting the art market and arts management and is ideal for practitioners in this field. The […]

This article contains descriptions of violence which some readers may find upsetting. In March of this year, the infamous statue of transatlantic slave trader Edward Colston went on permanent display in an exhibition about the history of protest in the Bristol People gallery at M Shed.  The display follows a decision by the Bristol City […]

The April issue of 2024 Art Antiquity and Law has gone to press: hard copies will be posted out to subscribers next week, and for digital subscribers, the online version should be available via Hein very soon. This issue contains an article by Achilleas Iasonos  (Post-Doctoral Researcher at the Earth and Ocean Lab, Department of […]

In the captivating world of art restitution and repatriation, each artefact whispers tales of ancient times and distant lands, waiting to be heard. Among these, the story of the recently repatriated Feng Xingshu Gui (丰刑叔簋) stands out – a narrative not just of rediscovery but of bridging cultures and epochs. My tenure at the Art […]

We also offer both digital-only and digital + hardcopy subscription options in partnership with Hein. Art Antiquity and Law is a Quarterly designed for all who value the cultural and historical environment. The principal aim of the Quarterly is to inform. It exists to tell those who work in the art and antiquity world about the law governing their […]

In this new book, Institute of Art and Law Director Alexander Herman provides a balanced, thorough and critical account of the history of the Parthenon Marbles, those famous pieces of ancient sculpture removed from the Acropolis in Athens by Lord Elgin’s men in the early 19th century. He also addresses the legalities of their removal and the ethics of their retention by the British Museum.

We also offer both digital-only and digital + hardcopy subscription options in partnership with Hein. Art Antiquity and Law is a Quarterly designed for all who value the cultural and historical environment. The principal aim of the Quarterly is to inform. It exists to tell those who work in the art and antiquity world about the law governing their […]